Session 3A Analysis and performance
- Mine Dogantan-Dack: Embodying musical dynamics in performance: a case study of Beethoven’s Piano Trio Op. 70 No. 2
- David Kopp: Does analysis matter?
- Danny Zhou (Hui): Playing with/ in tempo: individual styles of tempo variation in the performance of solo piano music
- Michael Hooper: Questions of performance and analysis
Session 3B From composition to performance: new sounds and techniques
- Varvara Gyra: The ‘praxismetapraxis’ concept:towards a musical performance beyond logic by Jani Christou (paper; slides)
- Luís Bittencourt: Epistemic complexity and creativity in the performance of percussion works for found objects
- Susanne Fröhlich: The recorder in the 21st century: the Helder Tenor in the field of tension between science and performance practice (research report)
Session 3C Cross-cultural/transdisciplinary collaborations
- Alice Barron: Liberating the score: notation as a platform to locate creative processes in cross-cultural collaborative practice
- Hyelim Kim: Universal languages in Nongum: Intercultural dialogue between the East and the West
- Caroline Wilkins: Practising research in co-composition: sound and performance (paper; slides)
- Nick Sorensen: Transitioning ‘Eleonora’: an auto-ethnographic account of site specific trans-disciplinary collaboration.
Session 3D Recording practices
- Alessandro Bratus, Alessandro Cecchi, Marco Lutzu and Ingrid Pustijanac: From the event to the project: performativity and performance in recorded music (paper)
- Anthony Meynell: Re-creation of The Byrds’ ‘Eight Miles High’. Using re-enactment to recapture historical recording practices
- Benoît Haug: How can non-social anthropology help us better understand the collective experience of musical performance? A case study in the recording studio (paper)
Session 4A Liveness and Flow
- Richard Hoadley: Live performance with live scores
- James Parakilas: The flow of notes and the ‘flow’ of consciousness (paper)
Session 4B Folk Traditions
- John Yaffé: Performing the Yiddish folk song: a repetoire finally steps into the light
- Ingfrid Breie Nyhus: A play with traditions – interpreting and performing between folk and pianism
Sessions 4C Recording Practices II
- Richard Beaudoin, Simon Zagorski- Thomas, Andrew Bourbon, Amy Blier-Carruthers and Neil Heyde: Bacchante: an analysis of a production of a performance of a composition based on a transcription of a recording.